Description
One of the peculiarities recognized in the sculpted work is its immobility, its stability, its constancy, even its immutability. It helps to become aware of how we occupy space. She assigns herself the space that surrounds her, welcomes her, and offers her reliefs to the light. The sculpture invests the sensitive space to test our senses.
The adventure of contemporary sculpture really began some fifty years ago. While at the time of Impressionism and then Cubism and the discovery of abstract art, sculpture was considered to be an art less innovative and precursor than painting, its multiple reinventions from the 1950s onwards have makes a privileged field of the inventiveness of the artists of today.
Jean BERGERO proposes a cylindrical and polymorphic work, with many facets, to the animated characters of a movement that seems regular. This rotation of characters, with no apparent goal, invites the viewer to interrogative contemplation and projects all the force of his imagination.
The artist’s talent is that he endows his figures with expansive movements – with bodies animated by exchanges – to the rhythm of a static ballet.
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